Image 1, by
Gregory Crewdson
This image
shows one man standing in a rural area.
He is
looking up with his head tiled up
The cloths
the man is wearing match the colours of the surrounding.
There is a
bridge above him and trees and bushes surrounding like a circle.
There is a
bright light behind him also in a circle but behind him.
The light is
bright yet there is also so percentage of smog present.
Why I chose
this?
The
trees and bushes that surround the subject have a nice greenery colour and
misty shadows behind the theme of the land.
The man is wearing a green top and blue short that blend in with the
scenery image. His skin tone also blends
in with the shadow tones behind him and the brick work above him. The eye and chin colour also blends in with
the tree trunk and the gravel on the ground.
On the whole it can be used as art work, fashion just for the love of
rural land and natural beauty
Image 2 by
Gregory Crewdson
This above
is a very cold image yet also very warm to the heart and fresh. The snow makes it feel very chrismassy and
merry.
The main
subject is the car with buildings on either side.
The photo is
unique, because the day or even in the next half hour, later you will not be
able to capture this image as everything will be different in some form, for
example, the weather, light of the day, there may be more cars on the road and
therefore more tyre marks in the snow etc.
The colour
of the sky seems to blend in with the ground.
I think it’s
an early morning shot because there is not much traffic or people, there are a
few people in the shops as some lights are on in the shops, can it be people
are getting ready to open their shops.
You can only
see the tyre marks of the one car in the snow.
The main
subject, the car is stopped at the traffic lights and maybe getting ready to
drive of.
The image is not of UK as the car is on
the right hand side of the road.
About - Gregory
Crewdson's
Gregory Crewdson's photos
usually take place in small town America, are dramatic and usually have one
main subject in his images and often disturbing, surreal events.
Gregory Crewdson photos
are shot using large crew members and are highly staged and lit.
His life
Gregory Crewdson was born in 1962 and he is
an American photographer who is best known for elaborately
staged scenes of American homes and neighborhoods.
As a teenager, he was part of a punk
rock group called The Speedies that hit the New York scene in selling out shows all over town.
In the mid 1980s, Crewdson studied
photography at Sunny, near Port
Chester, NY. He received his Master of Fine Arts from Yale
University
He has taught at Sarah
Lawrence, Cooper
Union, Vassar
College, and Yale
University where
he has been on the faculty since 1993. He is now a professor at the Yale
University School of Art.
In 2012, he was the subject of the feature
documentary film Gregory Crewdson: Brief Encounters.
Gregory Crewdson is represented by Gagosian
Gallery worldwide and by
White in London.
The two images
below are - by Adam Burton
I have chosen two of his image
that I admire most and will examine in detail.
This above image did not give any information
of where it was taken or l may have not spotted it, but I chose it due to the
colours and the beauty of sky, sunset, and the shapes of the two rocks standing
apart can be due to erosion.
You can see the calmness of the sea with the
tide going out slowly, this is due to the fact the lower ends of the two rocks
show a darker colour i.e. that the rocks were wet and the top section of the
rocks are dry. It also shows the fast
movement of the sky, clearing of the morning sunset and the beautiful
orange-yellow colour darker on the horizon and clearing out towards the right
side of the image.
This image is unique because the weather will
not be the same again and the shapes to the two rocks, over time they may not
hold the same shape and maybe not even the colours
The colours of the two rocks blend in well with the sea and the cracks on the side of the rocks with the sunset.
by Adam Burton
Blue and Green
Isle
of Portland, Dorset
This
above image is of the sea shore in Dorset.
It shows the calmness of sea, the horizon meeting the sea and the
calmness in sky. You can see the clouds near
the horizon but, near the shore the clouds have cleared and a hit of the
reddish sunset colour in the sky.
On
the ground by the seashore the grey pebbles are covered in green algae and the
pebbles closer to the sea shore are covered in sea weed as well as algae.
The
far side of the image the you can see lot of erosion has occurred on the hill which
can be seen due to the slop of the hill and lots of weed and algae growth is
also visible plus lots of trees and bushes are growing on the hill top and near
land. Moving further away from the edge of the hill towards
stable grounds, small bungalow like houses can be seen but no people are
nearby. Below the hill, seashore level,
there are more small houses.
How did you get into landscape photography?
I got into Landscape
photography because my partner at the time got a DSLR camera and started going
out and about at sunset time, after a while I loved what she was doing, and
eventually I got bitten by the bug.
Talk us through how you set up a shot and what techniques you use to capture them.
When I set up a shot, I find the composition that I want, and with the camera on my tripod, set it to full manual settings. I generally decide what filters to use and set the ISO to 100. I then decide what f stop to use to suit the scene, meter for the light and set the exposure time. I take the image using a remote switch to minimise shake. Most of the time I use a cheap single Cokin P121S graduated filter because I find I get the best results from it and less colour cast. I like to include bold foregrounds and try to make them as interesting as possible.
Talk us through how you set up a shot and what techniques you use to capture them.
When I set up a shot, I find the composition that I want, and with the camera on my tripod, set it to full manual settings. I generally decide what filters to use and set the ISO to 100. I then decide what f stop to use to suit the scene, meter for the light and set the exposure time. I take the image using a remote switch to minimise shake. Most of the time I use a cheap single Cokin P121S graduated filter because I find I get the best results from it and less colour cast. I like to include bold foregrounds and try to make them as interesting as possible.
No comments:
Post a Comment